Before anything major happens, you can start by teasing your reader with little hints (also known as foreshadowing) that something is about to happen. This creates suspense.
A hook is a line or paragraph that draw readers in instantly. Writing hooks is essential to writing that page turner story that your reader just can’t put down.
Your job as writer is to torture your. Put obstacles in his path. Make life difficult for him, make him work for everything he wants.
A reveal is a shocking fact that changes (and explains) everything. A reveal is a shocking fact that changes (and explains) everything. This requires 1 hints that not all is what it seems 2 hints towards the reveal.
Mention weather with only a passing reference if characters are indoors. When characters are outdoors, weather affects their actions. For stronger effect, have weather contrast character mood rather than compliment it.
Symbolism emotionally sways the audience by providing hidden language within the story with highly concentrated meaning. It’s the most focused condenser-expander storytelling technique in the toolbox. Create a web of symbols, each helping to define the others, for maximum power.
Writing the action scene. Growing up in our cosy modern day lives, it’s easy to forget how natural and common violence truly is. People use violence, simply because it works.
Immersive writing: here are the essential ingredients to immersive writing, creating the fictional dream that turns a story into a page turner.
Subtext creates texture that links scenes to the themes and larger. It is the layer that contains unconscious information, clues to behaviour and elements of backstory. There are several techniques to achieve this.
To make a scene vivid, to make it truly come to life, there needs to be sensory information. Senses transform words into three-dimensional worlds. The basic human senses are: seeing, hearing, touch, smell and taste.
To find the comedy, you need to find the comic premise: the gap between comic reality and real reality. If you want to catch a squirrel just climb a tree and act like a nut.
Comedy is that which makes one laugh. This is the basis for any study of comedy. However, just what is it that makes one laugh? The six requirements to be funny. Requirement 1: Appeal to the intellect (rather than the emotions)
Comedy writing is a never ending process of hit and miss. Real laughter is an involuntary action. Even when we shouldn’t, we can’t help ourselves.
Surface problems reflect the actual story-worthy problem but are insufficient to sustain an entire story. Any author should have a firm understanding of the main problem as it helps to provide yourwith initial surface problems to kick of the action.
It’s easy to forget how natural and common violence truly is. People use violence, simply because it works. Here’s all you need to know to writer a fighter
A story is about a problem. Youris the one experiencing the problem. Why? Because you, the writer, has designed him for it. The bigger the problem is, the bigger the person has to be, to be capable of resolving it. That’s why only your can resolve your story-worthy problem.
How to build up suspense. Discover various methods and techniques such as: Foreshadowing, slowing the pace, upping the ante, conflict, step by step action
There are 36 situations of drama or tragedy which can be used as a sort of template. This list stems from the 19th century and is a popular writing aid. It was made to categorize every dramatic event that might happen in a story. Go ahead, wreck your mind and try to find 37!
Conflict is the interaction of people with opposing points of view on a particular matter. Something creates tension in the scene, giving theits driving force. It can be disagreement, an emotional struggle, anything that poses opposition. The conflict is what make the readers care about the characters. They want to see how the characters deal with their problems. It doesn’t matter if they solve it, as long as the problem is addressed.