Knowing what to cut Is the dialogue pulling its weight or drowning the story? Each scene should bring something to the table. It should bring the characters closer or further from their goals. To ensure[…]
A scene is a mini-story, with a beginning, middle and ending. It shows actions, embedded in description and background material.
Brevity: How it works Brevity is all about sentence length. Attention span is short. Time is valuable. Your reader has infinite options of things to spend his time on, other than your story. His attention[…]
Each chapter in your book tells a mini-story that forwards your overall. Logically, there is no need for chapters in novels at all. You, the writer, could start the book on page one and keep going right to the end…
A concept is a conventional claim with a spin on it. It’s the way the issue is framed.
The organic story finds its end in its beginning. Thus, a great story signals the audience back to the beginning in its ending. A story can have a finality ending, where the story truly ends on the last page of the book. Great books have the story continue in the minds of the audience.
You sit back, confident. The final corrections made to your manuscript. You’ve self-edited yourself to bits. Now what? How do you publish it?
Plot is whatever happens in a story. Plot is built on significant events in a given story. They are significant because they have important consequences. Unimportant events, such as closing a door or braiding your hair are incidents. They don’t have important consequences, unless you are Rapunzel, in which case they are crucial actions. So what makes? Cause and effect. On event leads to another event.
Description enables the reader to experience the “fictional dream”, being pulled into a story so deeply that it becomes more real than the chair the reader sits on. Description is the language used to bring attributes of a thing or person to the reader’s mind. It makes impressions, using all the senses. It is also known as word painting.
Symbolism emotionally sways the audience by providing hidden language within the story with highly concentrated meaning. It’s the most focused condenser-expander storytelling technique in the toolbox. Create a web of symbols, each helping to define the others, for maximum power.
Get feedback from your support group before submitting your work. These are your objective eyes.
The basics first: “He/she said” is the basic modifier. Dialogue tells us what is said, attribution tags tell us who said it and modifiers tell us how it was said. These are the aspects we deal with here, adverbs (he said happily) are a matter for concern in a different article.
Define the story world by dramatizing the visual oppositions, similar to how you define support characters in the web that populates the world. The world can contain several sub-world.
Writing the action scene. Growing up in our cosy modern day lives, it’s easy to forget how natural and common violence truly is. People use violence, simply because it works.
Scenes unfold in seemingly real time, while exposition fast-forwards. Meanwhile, time passes in the story world. Each season comes with its own rituals.
A story is a communication that expresses an artistic description of how a person can grow or evolve. It follows a specific structure of seven organic steps taken with human change.
Trimming the cast every now and then will help clean up your story. This section explains how to check your cast and trim the characters who are not adding to the story.
The six deadly mistakes of beginner writers and how to fix them. 1 Thinkbefore character. 2 Writing about undefined, underdeveloped characters.
The denouement is everything that follows after the climax, with one purpose: to wrap up the story. Readers now crave two things. First, a final reactionary scene to show the consequences of theand the fate of the characters. Second, answers to all remaining story-questions.
Beginnings explain who the story is about and how they got into the story-worthy problem situation. First we see ourin his ordinary world (however not-ordinary this world may be for the reader, it’s normal life for him.)